Introduction to a work of Count Gobineau's

“Zur Einführung der Arbeit des Grafen Gobineau”

Published 1881

Overview

Wagner’s short preface, written for the Bayreuther Blätter, introducing Count Gobineau’s survey of the present state of the world. He praises Gobineau’s racial theory for explaining why great minds grow ever lonelier in modern society, but suggests that, as with Schopenhauer’s pessimism, a grim diagnosis may still point toward redemption, which Wagner hears in the “sigh of deepest pity” from the Cross.

Why the Bayreuther Blätter Looks Beyond Art

Wagner begins by reflecting on the future of the Bayreuther Blätter once its first task, reporting on the work of the Patrons’ Society, has been completed. He notes that readers welcomed his essay “Religion and Art,” and explains why the journal ventures into subjects that seem far from art. Just as he had to build a festival theatre at Bayreuth to give his works a proper basis for performance, he argues, art itself needs a new soil in the world. That soil cannot be supplied by art alone. When he held up modern civilisation to the mirror of a noble art, the mirror stayed dark or showed only “a grinning parody.” So he proposes to set the mirror aside and look at the world directly and without fear.

Gobineau’s Verdict on the World

Wagner recalls that Saint Francis, asked after a long illness how he liked the landscape of Assisi, replied “Not more than erewhile.” In the same spirit, he says, the Bayreuther Blätter asked Count Gobineau, back from long travels among distant peoples, what he thought of the present state of the world. Gobineau “proved the blood in modern manhood’s veins, and found it tainted past all healing.” Wagner expects this view to offend believers in progress, but he praises Gobineau’s major work “On the Disparity of the Races of Man” as free from the errors of ordinary inquirers, and credits it with explaining why truly lofty minds stand ever more alone, so that great artists and poets find themselves in a world to which they have nothing to say.

A Clue to Redemption

Wagner does not simply adopt Gobineau’s fatalism. Just as Schopenhauer’s proof of the world’s badness led to an inquiry into the possibility of its redemption, he hopes that even in the chaos Gobineau describes a clue may be found that leads to higher outlooks. That clue, he suggests, may be heard rather than seen: a sigh of deepest pity, like the one heard from the Cross on Golgotha, now rising from our own souls. His friends, he says, know what he draws from that sigh.

He closes by describing Gobineau’s essay as a brief, largely political survey, like the table-talk of an experienced statesman asked how he thinks the world’s troubles will end. Even so, he hopes it will arouse the horror needed to shake readers out of their “optimistic lethargy” and make them look in earnest for the path he has spoken of.