Richard Wagner in profile

Mystical Wagner

Richard Wagner as mystic, visionary, spiritual transformer

Discover the music and mysticism of Richard Wagner. Experience Tristan und Isolde, Parsifal and more through interactive librettos pairing new English translations with great recordings, uniting word and tone to reveal the deeper meaning of the dramas. Explore Wagner’s prose and letters, Cosima’s diaries, and 150 years of scholarship to uncover the philosophical and spiritual vision at the heart of his works.

Featured · Interactive translation

Act 2: The Love Duet, “Isolde! Geliebte! … Tristan! Geliebter!”

The night of the Love Duet in a new English translation, synchronised word by word to the recording. The sung line lights up and scrolls in time with the voices; click any line to go straight to it. The English keeps Wagner’s Stabreim and rhyme and sets its stresses where the music stresses them, so that word and tone arrive together.

Dim the lights, enter fullscreen, and let the drama unfold in darkness.

Why Mystical Wagner?

Wagner did not write his mature dramas as entertainments. He meant them as encounters with the deepest questions of existence, and he wrote them steeped in Schopenhauer, the Upanishads, early Buddhism and the Christian mystics.

Mystical Wagner reads them in that light, taking mystical in its older and exacting sense: the disciplined inward path of Meister Eckhart, Rūmī and the Vedānta toward direct knowledge of the Absolute. Not occultism and not easy comfort, but a serious philosophical inheritance, grounded in texts and open to scholarly scrutiny.

Four mature dramas trace a single pilgrimage of the spirit, a fourfold path from revelation to redemption.

Read the full introduction

  • Tristan und Isolde

    Tristan und Isolde

    Revelation

  • The Ring

    The Ring

    Revolution

  • Die Meistersinger

    Die Meistersinger

    Restoration

  • Parsifal

    Parsifal

    Redemption

Recent Additions

  1. Libretto

    The Love Duet in three recordings

    The Act 2 Love Duet from Tristan und Isolde can now be followed with Barenboim (1995), Furtwängler (1952) or Böhm (1966), switching between them from the playback bar.

  2. Documents

    Wagner’s letters

    Some three thousand letters by, to and around Wagner, arranged by date and browsable by correspondent, from Minna Wagner and Liszt to Mathilde Wesendonck and Hans von Bülow.

  3. Scholarship

    A map of Wagner scholarship

    More than a hundred scholars, critics and interpreters, sorted into interpretive registers: who argues what, against whom, and on what grounds.