“What Boots This Knowledge?”

“"Was nützt diese Erkenntniss?"”

Published 1880

Overview

A supplement to “Religion and Art.” Wagner answers the question of what use it is to know that humanity has fallen, arguing that only this knowledge makes regeneration possible. He dismisses statesmen and their pursuit of power, recommends Schopenhauer’s philosophy as the foundation for all moral culture, and proposes rebuilding Christianity around love, faith and hope rather than the commandments of the Old Testament.

The Question and the Statesmen

Wagner imagines his readers asking what use there is in knowing about humanity’s historical fall, since history has made us what we are. He replies that all the great poets and founders of true religions were guided by this knowledge. Statesmen, by contrast, have never possessed it, since their trade confines them to working with given historical conditions. Even Marcus Aurelius reached only the knowledge of the world’s worthlessness, the basis of a pessimism that rulers have found convenient, not the idea of a fall from a world that might have been different. Knowing the cause of the fall, however, opens the way to a radical regeneration.

A look at any newspaper, he says, shows politics as an endless greed for power without any idea of what it is for. He compares modern statesmen to Robespierre, who after the guillotine had cleared the way had nothing left to offer but virtue in general. He recalls how Napoleon III, misled by the Jesuits, provoked the war with Prussia that led to German unity, and complains that the peace of Frankfurt pointed only to readiness for further war. With true knowledge, he says, the victor might have made a peace that demolished fortresses instead of seizing them.

Science, Religion and Schopenhauer

Wagner notes that his descriptions of the decline of public art met little opposition, while his ideas of regeneration were fiercely attacked. Science believes in “constant progress,” and religion has lost its sense of sin, so that believers now look to physics and chemistry for redemption. Even Goethe, who doubted Christ but trusted in God as revealed in Nature, helped pave the way to the modern belief in nothing but “Force and Matter.” It was Schopenhauer, continuing Kant, who finally cleared the confusion the Jewish idea of God had caused in Christendom and restored a true basis for ethics. Wagner rejects the charge that this philosophy is hopeless, and urges that it be made the basis of all further mental and moral culture.

Luther, the Bible and the Commandments

The popes, Wagner says, knew what they were doing when they kept the Bible from the people, since the Old Testament could be used to justify any violence. He sees it as a misfortune that Luther had no weapon against Rome but the whole Bible, and praises the pity for his neglected people that drove Luther to write his catechism. He quotes Schiller’s letter to Goethe describing Christianity as the replacement of law by free inclination, “the only aesthetic religion,” and contrasts this with the Ten Commandments, which contain no trace of truly Christian thought and are mostly prohibitions now enforced by the police.

Love, Faith and Hope

Wagner proposes reordering the three theological virtues as “Love, Faith, and Hope.” Modern civilisation, he says, is perishing from lack of love, and the young should be taught to see the world’s lovelessness as its suffering, so that compassion leads them to withdraw from its causes and ease the suffering of others. Only the love that springs from pity and breaks self-will is redeeming Christian love; faith is the steady awareness of the world’s moral meaning, and hope the blessed certainty that this awareness cannot be deceived. He would like to see popular versions of Schopenhauer’s writings, including his essay on apparent design in the fate of the individual, to rescue ordinary people from both the threats of the Church and the arrogance of the physicists. Schopenhauer’s teaching on the ideality of time and space answers the question of where the “other world” is: “Peace, rest and happiness dwell there alone where is no When, no Where.”

Art and a Fellowship of Regeneration

Art, Wagner concludes, can give the people a likeness of perfect contentment, as Schopenhauer said of the artwork, poetry and music, but only with the support of a religious symbol of the moral order of the world. He calls for allies in every field of mental culture, mentions the physiologists who have joined him against vivisection and the peaceable associations named in “Religion and Art,” and proposes a shared creed: “We recognise the cause of the fall of Historic Man, and the necessity of his regeneration; we believe in the possibility of such Regeneration, and devote ourselves to its carrying-through in every sense.” He declares that from now on he will write only on this subject.