Know Thyself

“Erkenne dich selbst”

Published 1881

Overview

A continuation of “Religion and Art,” written amid the antisemitic agitation in Germany. Wagner urges Germans to turn the ancient command “Know thyself” on their own Church, their worship of property and money, and their lost racial instinct, presents the Jews in hostile terms as the most racially consistent people in history, and ends with his notorious hope that once Germans awaken there will no longer be “any Jews.”

The Lost Wisdom of “Know Thyself”

Wagner begins with Kant, who taught us to examine our power of knowing before claiming knowledge of the world, and Schopenhauer, who went further by examining the Will that comes before all knowledge. “Know thyself,” said the oracle at Delphi; “all of this art thou,” said the Brahmin. These lessons, he says, had been so completely lost that Schopenhauer had to rediscover them. Modern science and statecraft have no religious core, and no historical action shows any sign of this self-knowledge. We strike blindly at what we do not understand, and when we hit ourselves we think someone else struck us.

The Agitation Against the Jews

Wagner takes the antisemitic movement of his day as his test case. Nobody, he complains, asks what has given the Jews their “dreaded power,” or looks deeper than the events of the last few years. He recalls that when he himself wrote about the Jews’ inability to contribute to art thirty years earlier, and again eighteen years later, he met fierce indignation. Now the same ideas are being shouted “in vulgar brutal tones” in party politics. Between the two came the law of 1871 granting Jews full rights as German citizens regardless of “confession,” which he mocks as treating a whole people as a mere religious denomination.

Turning “Know thyself” on the Church, he notes that clergy lose their footing against the Jews as soon as the Old Testament patriarchs are criticised, because Christianity rests on the same foundations. He concedes that the Christian world, so far from Christ’s teaching, can hardly prove its religion superior to that of Abraham and Moses, while the Jews have remained faithful to their law.

Property, Money and Credit

Wagner argues that the real root of the dispute is property. The state is divided into a military and a civil class, and the Jew, he says, devotes himself to the civil class because it must find the money for the military. Property has become more sacred than religion, yet most people are born without it, so the protection of property is really the defence of the owners against the dispossessed. Right by earning has given way first to right by conquest and then to right by purchase.

He recalls the curse placed on gold in song and legend, and Goethe’s satire of paper money in Faust, and suggests that the Nibelung’s ring has become a pocket-book. Faith has been replaced by “Credit.” The Jews may be virtuosos in this art, he says, but the creation of money out of nothing was invented by civilisation itself, which is “a barbaro-judaic medley, in nowise a Christian creation.”

Race and the Decline of the Germans

Wagner then turns to the idea of an antagonism of races. He claims that great characters arise mainly among pure-bred races, through the pride of race once seen in medieval princes and kings, now degenerate in the old German nobility. He traces the German decline to the Thirty Years’ War, which he says destroyed most of the male population and left the women violated by foreign armies, so that the nobles no longer felt one with the people. In the eighteenth century, he claims, Jews moved in from Poland and Hungary, as princes and nobles traded their pride for vanity and greed.

He says the German nation lacks an instinct for what is good for it, neglecting its great men while making millionaires of anyone who comes “tinkling with his bell of paper.” He then describes the Jew in starkly hostile terms as “the most astounding instance of racial congruence” in history, a people who keep their identity in every land, are unaffected by intermarriage, and have, he claims, no true religion, only a belief in promises of earthly dominion. He calls the Jew “the plastic dæmon of man’s downfall.”

Language and the Purely Human

Wagner says the instinct awakening in the present movement cannot be merely racial, given what he sees as the Germans’ weakness in that respect. He suggests it is something nobler: a feeling for the purely human. The key, he argues, is the German language, which he believes reaches back unbroken to the speech of early humanity. By digging to the roots of their own language, Germans can feel themselves not just a race but one of humanity’s original branches, able to value the pure humanity in the work of every people.

A Nation Dreaming

He complains that none of the political parties, from Conservatives and Liberals to Socialists and Social Democrats, has applied “Know thyself” to itself; their foreign-sounding names show they are not German in spirit, and their dispute is merely a clash of selfish interests. He compares the nation to a dreamer caught in a nightmare who fights against waking as if against death. Those who belong to no party, seeking only humanity’s awakening to its “simple hallowed dignity,” can do nothing but wait to offer a cordial when the sleeper wakes of his own accord.

The “Great Solution”

The essay ends with its most disturbing sentence. Only when the demon that keeps the parties in their frenzy can no longer find a place among the Germans, Wagner writes, “will there also be no longer any Jews,” and the present movement might bring this “great solution” within reach of the Germans, if they apply “Know thyself” to the core of their existence. The statement is deliberately provocative and hard to interpret. In its immediate context it seems to envisage a transformation of German society that would remove the conditions which, in Wagner’s view, sustain Jewish distinctiveness and influence, rather than prescribing any specific physical measures. Even so, the disappearance of Jewish identity is part of the resolution he imagines, and the racial essentialism elsewhere in the essay makes a simply universalist reading untenable. The Cambridge Wagner Encyclopedia describes the passage as a proposed grand solution to the Jewish question, without attributing a specific practical programme to it.