Cosima's Diaries

Diary Entry of June 9, 1871

Overview

Ollivier writes about his new son and asks why Cosima once urged him to leave office, pulling politics back into personal correspondence. Richard works on the collected writings and contrasts Berlioz and Hugo unfavorably with Beethoven and Shakespeare, then finds true invention in the Pastoral theme prompted by wind in the trees. Tausig's pressure for Cosima to write to her father renews her refusal to move before events demand it.

Content

Friday, June 9:

Letter from E. Ollivier announcing the birth of his second son; he also asks me why last June I tried to advise him to give up his ministry.

R. works on his collected writings. After lunch we discuss the art of Berlioz, and R. says: “Just as in Hugo there is a blatant misunderstanding of Shakespeare, so in Berlioz there is a misunderstanding of Beethoven; here and there the main object is a garish highlighting of detail. French poetry is blown-up prose.”

He then goes out, comes back, plays the first theme of the Pastoral Symphony, and says, “That is invention!” I ask what had brought that up, and he says: “I went outside, heard the howling of the wind in the trees, and said to myself: We are just elements within elements. Then I heard this theme; how absurd are all spoken words, all declarations, compared with this direct revelation!”

In the evening, a letter from Tausig; the committee is now in Weimar, and T. begs me to write to my father after all. He clearly wants a letter of some kind, no matter what. I cannot write to him; I must wait and see what happens. To Cornelius, in an attempt to enlist his brother. In the evening, Carlyle, with ever-increasing enjoyment.