Cosima's Diaries

Diary Entry of July 14, 1869

Overview

A severe headache yields to a day of Chandon's wine, Munich Rheingold scene sketches, and Richard's comic desire to live terribly long. Loulou's letter to Hans reopens Cosima's sorrow, and she weeps alone while feeling highest happiness and deepest grief together. Richard's return restores joy, after which they discuss Keller, Auerbach, Tieck, and Serov on Berlioz, but she ends with anxiety over fellow suffering rather than conscience.

Content

Wednesday, July 14:

Rose with such a headache that I could not supervise Loulou’s practice. Gradually got better. R. has had a nice letter from Chandon and with it a consignment of wine. After lunch the scene painter from Munich, Rheingold sketches!

R. was jokingly indignant today about the summer, that it has already arrived: “I want to live terribly long.” Lulu dictated to me a letter to her father; it made my heart so heavy. In Paradise the serpent is concealed, it has settled in my heart, and all around is happiness, so beautiful and bright. Let us pray! . . .

Thinking about my fate, I feel as if it is trying to make me recognize both deepest sorrow and highest happiness; my poor heart contains them both! Union with my beloved, unbounded happiness, grief over the suffering caused, inconsolable sorrow!

While R. is taking his walk and the children are in bed, I abandon myself to my thoughts; weeping, I sing to a tune of my own, “Who never ate with tears his bread”; the light starts to fade, nearby I hear Siegfried give a hiccup! The doctor was here today and unfortunately could see the spot more clearly than recently; R. comes home, I wipe away my tears, joy returns with him!

We talk about the stories of Gottfried Keller, how much more significant they are than Auerbach’s; of Tieck R. says that he lacked the painful concision which characterizes the great poet. After supper I read to R. Serov’s essays on Berlioz; they are very good. As I write this down I have a feeling of anxiety which seems to me like a death agony.

How childish of my father to speak of “pangs of conscience”; how could I ever feel those? But fellow suffering, that is what oppresses my heart. I understand, too, how Parzival suffers and how he searches for Amfortas. Will I ever again be able to feel an unmixed pleasure?