Cosima's Diaries

Diary Entry of July 24, 1881

Overview

Wagner begins the day in genuine physical distress, plagued by a chest spasm and profound dissatisfaction with the local air, which he likens to the oppressive grip of a policeman. Cosima steers the conversation toward India and lighter subjects, and Wagner works productively, reaching the midpoint of his score despite his complaints and making playful remarks about the new Flower Maiden designs. An evening gathering of friends prompts him to observe that photography has done to art precisely what glee clubs have done to music—made it accessible in a way that hollows out its essence.

Content

Sunday, July 24:

R. is very dissatisfied with his night’s rest; complains bitterly of a chest spasm; he fears that showers no longer agree with him, is ill-disposed toward the air here, which “huffs and puffs and always makes him feel as if a policeman were grabbing hold of him.” But when he talks of climates elsewhere, I succeed in diverting him to India, and our conversation soon takes a cheerful turn.

He works and reaches the middle of his score, less 3 pages. Jouk.’s new Flower Maiden makes him joke about these bean blossoms being Klinpor’s kitchenmaids. The weather is fine, we go for a walk together in the palace gardens and plan all sorts of outings. In the evening we are visited by friends Forges and Gross.

The group picture phantom-like, and R. says, “This is how the modern world has learned to live with art, as far as the visual arts are concerned, through photography, which is to art what glee clubs are to music.”