Friday, March 11:
R. had a good night and goes cheerfully to his work, but when I come downstairs around lunchtime, I find him vexed by the abdominal troubles from which he continually suffers. He talks, permitting a pariah to tell himself that, if he bore his earthly lot without complaining, he could look forward to a noble rebirth; the teaching that the whole genesis was constantly present in its entirety.
R. is having trouble with the Magic Garden, which friend Jouk. still cannot get right. He drives off with the latter and with Fidi and takes a walk on the station platform, since the weather does not permit anything else. R. then works before supper, and afterward we read the Englishman's curious letter and look with great enjoyment at H. Burgkmair's splendid work, Der Weisskunig, lent me by the royal library in Munich. 'The power in these robes!' R. exclaims.
Then R. plays the Oberon Overture and several things from Oberon: he feels he is coming home, he says, when he takes up Weber. The Hebrides Overture is a much greater artistic masterpiece, he observes, than the Oberon Overture, yet how much soul, how much fire it has!
A sad conversation about Hans between R. and me; I resolve to keep silent on the subject from now on. At ten o'clock, when we were still all assembled in the salon, I heard a distant sound; we open the door into the hall and hear Isolde and Eva singing his 'Gruss seiner Treuen' to themselves in bed. It touches us greatly and leads R. to tell us about this nice episode in his life. And it is then the dear children who bring us to Hans!