Monday, March 7:
The folder with the portrait of Geyer has arrived; I present it to R. with a little poem (it should have come just a month ago). It gives R. much pleasure. “Everything you do has resonance and meaning,” he says, “like your dear voice and your pure soul.” Many curious embarrassments on account of Porges’s Jewish origin, every moment brings the Lord Jesus to our lips! To town in the afternoon. In the evening Die Walküre. R. is delighted with the folder. (A letter from Karlsruhe: the new director, Kaiser, wants Tannhäuser. Previously R.’s friend E. Devrient refused to produce it, ostensibly on principle, and instead did—Lachner’s Catarina Cornaro!)