Cosima's Diaries

Diary Entry of March 17, 1871

Overview

Snow and five coughing children keep Cosima in the nursery, where Lulu's lost letter from Richard provokes both sharp rebuke and remorse. Her nighttime gratitude and penitential feeling reveal how closely she binds suffering to atonement for her happiness. Richard rejects Dorn's artificial martial songs as falsified folk style, and the evening returns to Bayreuth and the prophetic calling of the poet.

Content

Friday, March 17:

Full of snow! R. working on The Destiny of Opera. The five children coughing, I in their room.

Great sorrow over Lulu's having carelessly lost the letter R. once wrote to her; I chide her sharply for her untidiness and negligence, then regret it. In the evening I go upstairs to listen for whether she is sleeping or coughing. She is not coughing.

Feelings of gratitude to God; acknowledgment that my good fortune is much, much greater than anything I have done to deserve it, utter identification of all pain with my need to atone. R. comes upon me thus and asks whether I have moods of which he knows nothing.

Some martial songs arrived yesterday; we thought they came from a soldier, and they were not very good. Then we found out that they were by Heinrich Dorn, and the utter lack of taste disgusted us; when the folk style is imitated, only rubbish emerges. "They falsify everything nowadays," R. says.

In the evening discussed Bayreuth again. At lunch R. says, "A poet must be a prophet and a singer."