Cosima's Diaries

Diary Entry of December 17, 1870

Overview

Beethoven Day arrives without the Zurich symphonic celebration Wagner had wished to give Cosima, and war news casts mourning over the occasion. Betz returns Die Kapitulation because of production costs, which Wagner accepts as fate now that the Paris situation has changed. Fidi's crying, a poor bookseller's delivery, a bookbinder's assistant's thoughtful praise of Beethoven, work on Siegfried, and Gibbon fill a day of thwarted public gestures and inward retreat.

Content

Saturday, December 17:

Beethoven Day! How to celebrate this unique occasion? R. admits that in order to give me pleasure he would have liked to conduct a symphony in Zurich today; we discuss how to make up for this. The news from France fills us with mourning; it is being said quite definitely that even the fall of Paris will not mean the end of the war.

Betz returns Die Kapitulation; the theaters are frightened of the production costs. R. is basically glad, for the situation in Paris has changed, the mood is no longer the same; it is a decree of Fate. “To stretch out a hand to the outside world is a dead loss; to withdraw it and fold one’s arms is wisdom and peace.” Fidi is Tribschen’s Gambetta—howling! (says R.). He sees a creature like Gambetta as “in a fever of agitation, with a rose in his buttonhole.”

Unpleasant experience with a dealer in art books from Berlin who has sent me disgraceful Christmas wrappers. The bookbinder’s assistant tells R. that he has read Beethoven and finds it very good, whereupon R.: “It is not very easy to read.” “No, one has to give it some thought, but all the same I read it and find it very good.” R. works on Siegfried. (Letter to Dr. Heigel.) In the evening read Gibbon. (R. not well.)