Cosima's Diaries

Diary Entry of October 29, 1870

Overview

Boni's chill and Loulou's work frame a day in which Wagner continues orchestrating and the war is judged by Cosima as a disgrace for France rather than merely a misfortune. A departing student heads for Basel and natural science after overcoming his obstacles. In the evening Wagner's performance of Tannhaeuser's second act overwhelms Cosima, especially Elisabeth's compassion, while Wagner turns her emotion into an avowal that she embodies all his heroines and makes love's tragedy irrelevant to him.

Content

Saturday, October 29:

Boni in bed with a chill; I hope it will not lead to anything. Loulou works in my room. R. orchestrates. At lunch I define my feelings about the present war with the words, “For France the war is not a misfortune, but a disgrace.” R. agrees with this.

Our student takes his leave, he has overcome all obstacles and is now to devote himself to natural science; he is going to Basel. In the evening we get on to the subject of Tannhäuser, and as a result R. plays and sings me the second act, which affects me unutterably.

Biterolf (Moltke!), Wolfram, the Landgraf, they all move me to tears, but Elisabeth’s “for him, too” (in this “too” lies Christianity, says R.) moves me to the depths of my soul. R. is almost alarmed by my reaction and disapproves of my emotion, he makes a joke of it and says: “You are Elisabeth, Elsa, Isolde, Brünnhilde, Eva in one, and I have married you. So I know nothing of love’s tragedy, I care nothing for the world’s soul, all I want is to keep you and to live a very long time.”

I feel that such turmoil of the heart will be the death of me. At midday R. defended the libretto of Euryanthe against Richter: he says it is not really as bad as it is made out to be.