Cosima's Diaries

Diary Entry of October 5, 1870

Overview

Lenbach's portrait arrives and at first shocks Wagner through its black frame, before becoming an object of deep attachment. The picture gives the day a solemn, almost funereal seriousness that Cosima connects with their new form of exalted happiness. A visit about the children's schooling and an introduction to an admirer unsettle her, while Goethe's Campaign in France and Wagner's letter to Lenbach close the evening.

Content

Wednesday, October 5:

Lenbach’s fine picture is here! I had learned of its arrival yesterday evening and I awoke in the morning saying, “Now it is returning home, now you can depart.” When Vreneli told me it was unpacked, she added, “But the black frame will give you a shock.” It was not I who received the shock, but Richard, who thought he was seeing me dead or my father in monk’s clothing—in short, the black frame made a violent impression on his imagination. But gradually the picture had its effect, and he has come to love it beyond words. Our mood was deeply serious all day long; we now have no delights except such sublime and solemn ones.

To Countess Bassenheim’s, there meet the schoolmistress; I find it hard to give up teaching the children; only the thought that the children might perhaps prefer to work with other children could bring me to it. Introduced to the sister of Countess Moy from Munich, a great admirer of R.’s, who has seen Tristan. She is friendly, but all strangers upset me.

In the evening read [Goethe’s] Campaign in France with much enjoyment.

R. writes to Lenbach.