Cosima's Diaries

Diary Entry of August 25, 1869

Overview

Cosima's night distress centers less on Frau von Bulow's insult than on Liszt's worsening of her situation. Judith writes in agitation about being excluded from Rheingold rehearsals, and Cosima asks Richard to let Richter handle the theater dispute while she writes Judith and Lenbach. Richard begins instrumenting Act III, Cosima tends lessons and botany, and evening music leads to the thought that sorrow, happiness, and activity are now permanently embodied in Hans, Richard, and the children.

Content

Wednesday, August 25:

During the night some distress, not because of the humiliation inflicted on me by Frau von Bülow, but arising from thoughts about my father and my own situation, which he is making so much worse for me.

In the morning a nice letter from Judith Mendès; she is beside herself, the theater director will not let her into rehearsals of Das Rheingold. Still the same old game! R. had telegraphed him very curtly; he reads the text to me. I beg him to let Richter deal with the matter, which he does.

I then write to Judith and tell her what my father has done to me, since she asks whether she should visit him. Also wrote to Franz Lenbach, who had replied with a simple expression of sympathy to my description of my situation.

Meanwhile R. begins on the instrumentation of Act III. After lunch, with the children to Lulu’s piano lesson, then did some botany with them, finally went to meet R. In the evening piano duets, a Mozart symphony and a Beethoven quartet.

R. says to me we have time on our side, all we have to do is live long. Recently, when walking to the Lucerne cemetery, I said to him, “I have no wish to die.” I have been supplied by Fate with a sorrow, a happiness, an activity: Hans, Richard, the children. The sorrow cannot pass, any more than the happiness can ever be clouded or the activity cease.